George Frideric Handel is considered England’s first and foremost composer of
oratorios. Above all, the Messiah is regarded as the epitome of sacred music and
in German-speaking countries it is also one of the most often performed works in
the genre. The version of the Messiah which is most often performed today is a
combination of various versions. Consequently, the present critical edition by
Ton Koopman contains all the surviving alternative versions of the solo
movements. These are printed consecutively instead of being banished to an
appendix. A concordance makes it possible to assign these movements to those
various performances of the work conducted by Handel between the Dublin premiere
in 1742 and the London concerts which took place up to 1759. The score will be
printed in English and German. In accordance with the wishes voiced by many
choral conductors and singers, the vocal score will be available in separate
English and German versions.
(
Ver Extracto Completo ♫ )
Year of release: 1742
Scoring: Soli SATB, Coro S(S)ATB, 2 Ob, 2 Fg, 2 Tr, Timp, 2 Vl, Va, Bc
Language: English/German
Duration: 150 min
pages: 328
