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From Publishers Weekly
Growing up in St. Louis, Mo., in the 1950s, Troupe idolized jazz trumpeter Miles Davis, seeing him as an alternative to his own white-dominated neighborhood and high school. Miles, as a successful black man embodying all that was hip and proud, was a favorite role model for Troupe and his friends. Thirty years later, Troupe met his hero, and eventually collaborated with him on Miles: The Autobiography. Now he's documented his relationships with man and music in this slim, conversational volume. In casual, sentimental language ridden with gossipy details about Miles's Italian designer clothes, Troupe notes every interaction between Miles and himself that preceded their collaboration and relates favorite vignettes from that project. But what's notable about these anecdotes is how banal they are, from a story about an incompetent roadie, whom Miles predicted would drop everything because he "walked out of tempo," to Troupe's reflections on Miles's habit of hurling harsh insults at strangers who approached him. Although Miles's fans may be happy to read sketches from his life, this book works more as a commentary on the phenomenon of devoted fandom than as another biography of the trumpeter. The book's third section, in which Troupe (now a professor of literature at UC-San Diego) writes about how Miles affected his own coming-of-age, is by far the most compelling, because it deals with the emotional effects music can have upon its listeners--which is, after all, both the cause and the most lyrical side of fandom. 16 b&w photos not seen by PW. (Mar.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From Library Journal
Miles Davis's open-mindedness toward innovation (musically and personally) set an example that inspired many of his listeners. He made young blacks in particular feel special and free; and some, like Troupe (Choruses, Avalanche), were able to use their imaginations in ways not probable without Davis. Pithy and succinct (one wishes he had written twice as much), Troupe continues to flesh out and demystify Davis in this follow-up to their collaboration, Miles: The Autobiography (LJ 10/1/89), and the Miles Davis Radio Project (a multipart radio series). Filled with "Milesian" humor and off-color language (those sensitive to gratuitous swearing may find this an arduous read), Troupe's book reveals Davis as profoundly, artistically sensitive yet maddeningly mean-spirited and rude. From his teenaged impressions during the 1950s to his mature, deeper reflections at the time of Davis's passing, numerous vignettes clearly show that a rewarding and richly hued relationship had developed between the two men. Recommended for public and academic libraries.
-William Kenz, Moorhead State Univ. Lib., MN
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Product Details
Paperback: 189 pages Publisher: University of California Press; 1 edition (May 30, 2002)
California, U.P.
978-0520234710
€16.80
Entrega: 9 a 12 dias úteis
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